Tag Archives: cthulhu mythos

Well, done


Can’t help but notice that I haven’t posted in a century or so. Sorry much. Am trying.

Lots of things going on, this side of the screen. I’ve undertaken to produce a new anthology, to benefit author/editor Joe Pulver and his wife, who are having a tough time of things due to illnesses, and that’s going great guns, with a ToC to die for and early days still. We have about 90K of material on hand and every indication that there will be twice that at least.

Nightmares in Yellow, it’s called. The cover will be decorated with work by artist Derek Pegritz, and it should be out in time for Christmas.

The three chapbooks are soon to debut. All three are set in the CRAZYTOWN universe… two of them are part of the book, and one takes place shortly before the events in the book and the short novel THE FORGOTTEN GOD, which is set to appear next spring.

GREEN will be first,

Bone Sequence second,

and the former Pizza story NARANJA SOUL should be out by Hallowe’en.

Blast From Christmas Past


This story has been unavailable for quite a while. I’m rectifying that lack. This is the original unedited version of the first Cthulhu Mythos story I wrote in nearly 20 years, as a gift for the readers on my website. There have been a couple of hundred since then, millions of words worth of tentacles and terror.logo

Jonesville 2000

The keening of a tiny off-key flute jerked Jones out of a momentary slumber. He wiped the back of his left hand across his crimson eyeballs, blinking to restore his orbs to some semblance of normal vision, and steadied his right hand on the steering wheel.

How long had it been since he last slept? He had no idea.

Jones had been where time does not pass in a normal fashion, where geometry was haphazard and the shadows did not fall where any self-respecting shadow would, or in colors that a regular earthly shadow would assume. His eyes had beheld hues that they were not meant to, way into the infra-red, far into the ultraviolet, and his tortured gaze could not fix on the sunlit colors of the world of his birth for very long any more.

The light changed from red to green, and Jones moved on out of force of habit.

His cargo continued their obnoxious piping, and he rolled down the window for a moment to catch his breath, for the stench was overwhelming, a combination of rotting vegetation, maggot-ridden meat, and putrefying sealife that he had been inhaling for far too long. His head cleared a bit, and Jones risked a glance at his visage in the rear view mirror. His tangled thatch of mud brown hair had assumed a life of its own, wild and unruly without a hint of order, and much, much longer than it had been the night before. His eyes had taken on the sheen of ‘Bama’s uniform shirts, the pupils dilated so far that only a hint of the verdant irises remained. Mucus ran from his nostrils over his lips, which were the color of the rotting dead fish his cargo smelled of, and ran down his chin to ooze down his begrimed shirt front. His skull began resonating as his cargo began to add the sound of drums to the loathsome piping, and the friendly colors of the holiday lights strung up along both sides of the boulevard began to take on a menacing aspect as the cargo began to ululate along with the sounds.

Too late, he looked away from the mirror, for he glimpsed the flesh of his cargo, glowing the faint green of swamp gas, there in the back of the van. He accelerated slightly, switching lanes to pass an ancient Saab turbo, and wished he’d never signed on, that fateful night two weeks ago. It was not the last time he’d have that particular wish.

This ride was taking far too long. Idly, Jones wondered if he would crack before the end, and run screaming into the night, the shreds of his sanity trailing away behind his shattered skull as he tried to escape the reality of his existence…

 

A fortnight ago, Jones had been online, reading his day’s mail, when an instant message appeared on his screen.

“Hi!” The message said. “I’m Nyarla. I can make you happier than you’ve ever been before…”

Jones thought it a standard cybersex paysite come-on, and moused over to x it out of existence, like so many seamy ads he’d seen before, but was instead moved to answer.

“What if I’ve never been happy?” He queried. “How would I recognize what you’re offering?” He thought this would drive the annoyance away.

“I can make the blind see, and the earth move under the feet of the unfeeling.” came the answer. “I am what you’re looking for when you don’t know what you’re seeking. I am the eye of Him who has no Name, and I have been looking for someone exactly like you.”

Wow, thought Jones. This isn’t exactly what I expected-it’s more like a demented Jehovah’s Witness than a come-on. “How come he has no name?” He typed.

“Oh, but He does. It is just that his name must NOT be spoken aloud.”

Hoo-boy, Jones laughed. This can be fun. “If you speak the name, the world as we know it ends, right?”

“I sense mockery in your tone. This is not a laughing matter.”

“Oh please. If it’s not a laughing matter, how can it make me happier than I’ve ever been?”

CLICK HERE.

“I will not click on an anonymous url, based on what you’ve been saying. I’ve heard all this stuff before, in more attractive terms than you’ve used, and that didn’t sway me.

“What do you have to offer besides pictures and videos and streaming audio/video, and free downloads to examine before I buy the shareware, and commercial inducements asking for my credit card number, or screens that won’t disappear unless I reboot, or email virus attachments?”

“I offer you life unending. Everlasting. Eternal. Infinite spans of time unfolding as you outlive the planets, and the very stars…”

Jones rubbed his chin thoughfully, feeling the new growth there. “Is that all? I thought you had something original to offer.” And he moused off the screen, going back to Christmas shopping.

 

The black package arrived with a few other packages, so Jones didn’t notice it at first. It sat in the front hallway with the other gifts, until the weekend, when Jones could distribute the booty. Meanwhile, more kept arriving, big packages and little packages, filling the foyer and spilling over into the kitchen at first, then oozing over into the front room on the other side. It was at this point that Jones began to notice something was amiss amid the disorder.

“There’s no way,” he declaimed to the air. “No way I bought all this stuff, unless somehow I won the lottery. I remember ordering a lot of books and games, but mostly from one place. And what’s that smell?” For indeed a ripe little stench had begun to emanate from the pile.

It was hard to place, but very definitely there. Sort of a musty, fishy odor, Jones thought. Or carrion…maybe a mouse had died or something. He paid no attention to it, or tried not to. Eventually the sheer magnitude of the offensive smell caused him to seek out the source, in order to remove it.

Jones pawed through the stacks and stacks of packages until he found one that was riper than the others. It had a wrapping the color of dead seaweed, with a bow that resembled limp spaghetti, like a string tie made of more seaweed.

Jones rummaged around in the cabinet under the kitchen sink, coming up with a can of lysol and two economy size refills. The refills he tucked into his belt, the spray can he set on the shelf just inside the back door.

He took the package in his hands, and it was soft, and mushy, repellent in the extreme, and he threw the package into the dumpster in back of the garage, emptying the two refills into the dumpster.

Since he’d already been handling them, he made up his mind to sort out the various gifts.

He strolled back into the house, sniffling, testing the air.

The house was redolent of old cigarette smoke, and some spilled lysol, and last night’s chili, but no vague unidentifiable dead fish like aroma was in evidence. He sprayed about half of the can of lysol into the air, washed his hands to get rid of the last of the curious odor, and set to the task.

The packages he remembered actually ordering during his late-night giftathon he set aside, on the kitchen table. That left quite a few items. Jones examined each for any sign of the sender, establishing that some were from friends, and some were premiums from the companies he had ordered gifts from.

And still there were things left over…

None of these items ticked, or smelled, or were offensive in any way

The wrappings weren’t cheap, or gaudy, or clashing, and the only one that really stood out was the black one with the blood-red ribbon.

Jones wondered aloud, briefly, about the parentage and mental stability of anyone who would send packages wrapped in black paper for Christmas, but he did have some friends who just might send something like that as a practical joke.

He mulled opening the package, and finally placed it in the kitchen with the identified gifts, to be opened later.

He opened the rest.

Those packages turned out to be full of gizmos and whatsits, which he placed on his desk, examining them from a distance as if they might bite.

Christmas was two weeks away. Jones hummed Christmas tunes under his breath while throwing away all of the wrapping paper and tiny boxes that the things had come in.

 

Jones played with the gadgets that came from the unidentified gifts, miniature puzzles that linked in odd ways, strange little magic tricks that made things disappear and reappear, and a collection of tiny figurines, carved from a kind of waxy greenish-gray stone that he wasn’t familiar with.

The figurines were unique enough that he elected to keep them rather than auction off or otherwise try to sell them. Plus the workmanship was really excellent, every detail standing out in relief.

One of the figures was an octopus-headed, clawed and bat-winged, stout manlike figure (otherwise), with a mass of tentacles or feelers about the mouth, which was gaping open menacingly.

Another was not of stone, but of a jellylike material, which changed shape on its own periodically, and glowed in the dark. The colors of this thing changed at random.

There were twenty or so even smaller pieces, somewhat like the jelly sculpture, but of harder substance. The surface of these gave a little bit, but didn’t continually morph like the jelly figure. These were colored the exact shade of the glow-in-the-dark monster models his father had given him, a particularly memorable shade of whitish-green. The models were up in a box in the attic somewhere, out of mind, but that particular color was unforgettable.

Jones thought these to be acolytes of the jelly guy, as he called the figure. Acolytes seemed right, somehow, so he stuck with it.

The other pieces were equally deranged, anthropoid (sometimes) and mixed with plenty of other animals, or completely alien, with no identifiable bestial or vegetable characteristics at all. The larger ones had oddly-angled bases, carved with symbols or letters in a language Jones had never seen before. The characters looked a little like crop circles, Jones thought, but not entirely.

Jones pushed these things around the surface of his desk idly, daydreaming about the good food at Christmas dinner, and the smiles on the faces of those he’d bought gifts for.

Images began to form at the back of his mind, scratching at the surface of his consciousness like rats in the walls of his cranium.

His dreaming began to take the shape of a nightmare as gigantic blocks of stone appeared out of a green sea, hordes of the malleable small creatures clambering about on the rock as great washes of foul seawater washed over them. The angles of the stones were somehow wrong, and they were much too large to have been quarried anywhere nearby, and they appeared to have been carved out of the same sort of stone as the squid man.

Jones stirred, his eyelids fluttered, and another image assaulted him, of the dark of deepest space, where half-seen creatures tittered and flapped.

One of these creatures brushed Jones, and he shuddered at the feel of its skin, at once rubbery and leathery, and moist.

Jones passed from this zone into a region lit by millions of nearby stars, at the center of which bubbled a crystalline monstrosity, whose color and shape morphed at random, and whose constant giggling made Jones cry out in his slumber.

This monster was surrounded by dozens of the little morphs, who were extruding appendages that served them as pipes, and drums, and playing them in a manner that Jones had never heard of. The music knew no scale or beat, and used notes he didn’t believe existed, played in unknown modes.

Periodically, at nonsensical intervals, a great cry went up from them-“Ia!”

Jones moaned and thrashed as he beheld this tableau.

Then the thing reached for him, and started to communicate without speaking, and something important shorted out in Jones’ brain, and he snapped awake, sweating and panting as if he’d just run a marathon.

 

Jones groaned, and opened his eyes. The obnoxious piping and drumming was still echoing in his head, and the thought of the proportions of the buildings he had seen made his head ache.

He signed off from the online service, and stumbled into the kitchen, where he sucked up four glasses of water before he felt satisfied. His skin was clammy, and cold, and his clothes were soaking wet. He shrugged off those garments on the way to the shower.

After dousing himself with plenty of hot water, Jones felt a little more himself, though something was still tickling the back of his mind.

The images of the nightmare were fading a little, mercifully, and he thought he might just get through the day.

Jones hadn’t realized he’d fallen asleep while at the desk daydreaming. It had happened so suddenly. He remembered thinking about Christmas presents, and then he was shut behind the walls of sleep, in the throes of a nightmare.

It was early evening now, and he was hungry. Casting a baleful eye at the little sculptures, for some reason not wanting to touch them, he grabbed his coat and went out to get some food.

He walked out the front way because the smell coming from the dumpster was getting strong.

There was enough of the odor lingering in his nostrils that his food tasted slightly of it, but he was so hungry that he wolfed the cheeseburger down anyway.

He left the restaurant and crossed the street, entering the hardware store and purchasing a sack of lime, which he used to pour on the package in the dumpster, holding his nose while he did it. Even this didn’t keep his gorge from rising, and he lost the cheeseburger while doing this, almost choking as he was forced to move his hand from his nose in order to breathe. The lime did the trick, though, the package almost immediately starting to erode.

Jones drank more water, and cleaned himself up, making a peanut butter sandwich to replace the other food.

After a couple of sandwiches and some random potato chips, he felt somewhat better, and dozed off on the couch while watching a little tv.

The dreams started again almost immediately.

#

You are Jones. As soon as your head hits the pillow, your eyes close as if of their own accord.

Instead of the usual pinwheels and fireworks of the eyelid movie show, what you see is nothing. Absolute darkness surrounds you, more dark than you’ve ever seen before.

And something really stinks. It smells like fermented garbage dump, and it’s getting stronger.

You get up and walk, hopefully away from the stench.

It’s working, too, and the ground seems even, though it’s pitch dark still and you’ve no idea where you’re going. Suddenly afraid of falling into a pit, you stop.

The stench has lessened a great deal, though you don’t think you’ve walked very far. It’s hard to tell, with nothing to establish perspective from. You try counting the seconds. When you get to five hundred a light appears, either very dim or very far away.

Since as far as you know you’re standing on solid ground, and don’t know what’s ahead, you drop to all fours, tracing the route ahead with your hands as you crawl toward the light.

Your sense of time is still screwed up, so you silently count the “steps” you make in this manner, but there are so many that you lose count. Your hands and knees begin to abrade as you travel, over what feels like gravel, on your way to the light. It doesn’t to be getting much closer, though you swear it is getting a little larger.

You catch a whiff of something that reeks of the sea, and a breeze from your side. Suddenly the light winks out.

You don’t panic, but back up a “pace” until you catch the breeze again. There’s the light, in the direction the breeze is coming from. You follow the scent of the sea, and the ground beneath begins to feel pebbly, rather than sharp and rough, and then sandy as you continue to move.

The seabreeze is getting stronger, and cooler, and you can hear the faint sound of its rushing there ahead of you. And, even more faintly, what sounds like birds-gulls, maybe. Or laughter.

It’s still dark, though, but the sea and the friendlier surface give you some renewed optimism. You can hear the lapping of the sea, although it is strangely muffled.

You continue to crawl.

Your fingertips encounter some dampness, and then more, wetter and wetter and wetter, until your right hand splashes into the water!

You feel around in front and on the sides of you. All water. In back, there’s dry sand, at least for a little while, until you get the idea that you’re on a sandbar with the tide coming in, because your feet are getting soaked, and it doesn’t feel like there’s any dry land behind you any more, as you feel around with your toes. And the water feels thick, and it’s very cold.

The breeze has begun to blow more strongly into your face, and droplets of saline water begin to pelt you, and the wind resistance is getting stronger. The droplets feel like buckshot, and stick for a moment before sliding off. Some of these drops fly into your open mouth on those occasions when you remember to breathe. The taste is indescribably bad, and you resolve to inhale through your nose only, but the taste remains at the back of your throat.

Your hands, unbidden, grasp at something very like the sides of a shell, and you get the idea that you’re traveling on the back of something. And moving very rapidly toward the light. It is growing larger by the second, and acquiring a bluish tint. Soon a city comes into view, the source of the cold blue light.

The unknown host slows, and smoothly draws to a complete stop without disturbing you. There’s now enough light to see by, and you disembark, jumping lightly up onto a wooden dock. Behind you there is a dull plash, and the host sinks out of sight before you can ascertain the nature of your conveyance.

You walk along the pier and up a path that ascends the side of a large hill. The light is coming from the other side, and you move toward it, as quickly as you dare on the steep ascent.

Occasionally, you have to use your hands to scrabble up the hill, especially as you near the summit. As you reach the top, the light becomes nearly blinding, until you look over at the city in the valley, all towers and winding medieval paths on top of walls, and gates guarded by men in strange armor, with devices in unknown languages, and odd little accoutrements like fanciful tails, and stylized wings.

The helmets of these men are crested, and the masks are both elongated and protuberant.

You stroll down the path toward the walled city, feeling no menace from these men. They are silent, and bear weapons of metal, swords and crossbows and ugly lances. You can hear them clank as they go about their rounds. You’re getting really close now, and pass what looks like a gatehouse unmolested. The men inside pay you no notice, even when you look in their direction. You continue on, drawn in one direction by a longing you cannot describe, on and on.

You get a closer look at the guards, and perceive that they are not wearing armor,that the twisted, gnarled metallic shapes are in fact their substance, and you are informed that these are members of an unutterably ancient race, enslaved eons ago by the Great Old Ones, to guard the walls of the nameless city for the rest of time.

A wash of sadness comes over you at the fate of these beings, and their mien and demeanor alter slightly, becoming somewhat fairer to look upon. The attractive features of the nameless city begin to manifest as well, and your breath catches in your throat as you behold obsidian towers and ebon minarets, with paths paved in lapis lazuli and onyx, embroidered with the finest silver and adorned with platinum filigree.

While it is eerily beautiful, the size of the city begins to overwhelm you, and the absence of any color save black and silver and blue palls.

You stop, and bide a while on a parapet, looking back toward the hills that you came over. At times you can discern shapes flitting around the peaks of those hills, black shapes with bat wings and long barbed tails. A sound comes from these hills as well, a tittering, high-pitched but audible, and echoing. You recognize these noises as the laughing bird-cries you heard before.

You understand the nature of this place, once a mighty trading center, now deserted save the sentries, and shudder to yourself as some of the flitting batlike creatures draw nearer and you can see their featureless ebon faces, and hear ever more clearly their insane tittering, hee-hee-hee, as they swoop down upon you, and bear you away from from the city over the endless plains of the Cold Waste. You begin to comprehend just where this dream ends, and remember that you have read the books, back in high school and college, and desperately search the dustbins of your memory for the silver key that will bear you safely home from this voyage.

You know that the journey has only started when you recall what happened to different dreamers in those stories, and pray to what gods remain to you that you don’t have to meet a ghoul, or especially meet a ghoul while it’s feeding. There is a sound coming from below, a soft meeping, and you shudder involuntarily as you recognize the sound as that of the very creatures you were hoping not to meet. There are hundreds below, encamped in a valley, where their luminous eyes are all that can be perceived as you ascend swiftly.

It’s becoming colder, and the ground further away, and you spy an even larger and blacker city below. It takes quite some time before you fly over the city, and you whisper to yourself “Kadath, in the cold waste”, and still you fly on, clutched by the obscenely tittering night-gaunts. You recognize the feel of their leathery, rubbery, rough and slick skin, and realize what it was that brushed past you the previous night, and you enter the airless vacuum of space.

And the understanding comes to you that your eyes are wide open, that this is not a dream, that you’re lightyears away from home, and are not even you any more.

A glance at your limbs is enough to confirm this notion. Your arms are pliable, and end in bunches of tentacles, and you have no legs, only a congeries of muscles at the bottom of your bulbous cone-shaped body. Your eyes twist around to meet each other at the end of their stalks at the top of you, and you are just begining to fear.

A collection of gigantic dogs with pelts of living fire streak past, and the stars are receding very rapidly indeed as the night-gaunts carry you through the depths of the ether, toward an unguessable destination.

Your eyes have no lids, and cannot close as you rocket past exploding suns and long-dead worlds into the center of the universe, where stars have changed the laws of physics by their proximity, and light takes strange forms, and time is suspended, and matter doesn’t matter at all.

The night-gaunts are no longer carrying you, you are being borne deeper and deeper into the mysterious envelope of the space between the stars until there is no space any longer, it is all star, and you are a sun, and still you journey, through the vastness toward the center, where sits a blind idiot god, enormous, dwarfing the largest of stars, surrounded by a swarm of sycophants, blowing mindlessly on extruded flutes, and playing restlessly on extruded drums, and dancing obscenely there in the center of it all, and you know that this is why you are, and what you must do. The idiot god has instructed you in the means of returning his brother god to his former domain, and that which is not dead will no longer lie dreaming.

You are returned to your slumber bearing this terrible knowledge, and you have the will to resist, but the consequences are too terrible to contemplate as you wake and begin the preparations for the return of R’Lyeh to its former position and stature above the waves, and mouth the incantations that will foster the genesis of the son of Yog-Sothoth upon a living woman, who you have taken from the streets and secreted downstairs, rendered unconscious by a drop of a serum that arrives in the post.

You are present as the form of the woman begins to alter into a vessel capable of bearing the child, and assist as she is loaded into your conveyance for the final voyage toward the sea.

The father is to be present at the birth of his son, at the instant when the inconstant moon was nearer the earth than in times past, and showing her full face to the human race. The alignment of the stars has been favorable for some time, and will continue to be, but the influence of the moon cannot be discounted in this case.

Then the festival of Saturnalia would assume its cadence of long years ago, and climax with the passing of Earth into the dimensions frequented by the Great Old Ones, and no longer fall under the sway of the Elder Gods, under whose gaze the humans were allowed to pursue their destiny unimpeded by slavery and worse. The coming alignment of the spheres of this galaxy will signal the close of this dark sabbath, and the true beginning of the age that was always meant to be…

You in your terror labor to make this so, for the price is the obliteration of your soul, forever and ever, never to return.

This is how you come to be driving the van-You labor mightily, taking no nourishment, not resting, until the woman and her unspeakable child are in the van and headed toward the ocean, flanked by a trio of shoggoths.

It’s two days before Christmas, the moon is closer than it will be for centuries, and you want desperately for it all to stop, but you don’t know where to begin. The bargain no longer appeals to you, for it was entered into before you had full knowledge of what was to occur, and what was required, and you would give it all back to return to your small life among the ascended apes in the concrete canyons, but this can not be stopped. Not now.

The moment is almost at hand, all of the players are in place, and the stage is set for the renascent Great Old Ones to reclaim this small but crucial ball of mud for their own.

#

Jones drove on, ransacking his eroded memories for the key to his dilemma. The insistent piping of the shoggoths that guarded his once-human cargo had long since driven him mad.

At least, insane by any normal frame of reference. To Jones, his reactions made perfect sense, in view of his environment and the factors that led up to the current situation. To his right was the black package, which he dimly recalled grabbing as the party left his home for the van.

To his left lay the open expanse of the sea, which he had driven toward from Chicago, starting out two days ago. The sea was rougher than usual, the waves tipped with foam of the same luminous white-green as the shoggoths themselves.

To Jones’ rear were the shoggoths, piping and drumming, and the body of what was once a woman, now merely the incubator of a child from beyond the stars, whose birth-cries would summon the cyclopean towers of lost R’Lyeh, the home of the dread Cthulhu, the octopoid god whose tiny figure he had received in the mail.

The visions of the vistas he had beheld swam in front of Jones’ eyes, causing him to swerve and nearly lose control of the vehicle.

The images returned to the back of his consciousness, where they continually spooled and ran.

Amid those images was that of a carven star, of the same green material as the stone figures, with a black jewel in the very center of the star. This star-stone was of the same substance as the Elder Gods, and was charged by them with the power to send the Ones from Outside back from whence they came.

Jones grinned crookedly at the thought of the star-stone, which he realized was the key he sought, and didn’t have possession of.

Or did he? There had to be a reason why he had brought along the black package…so many alien thoughts had been running through his brain, and he was so tired, and felt so close to death that he didn’t recall everything he’d done and seen very clearly. But the image of the star-stone was very clear now, as if proximity were the hidden key to its influence.

He hastily grabbed the black package with his right hand, steering with his left.

Jones lifted the package to his face and began to gnaw at the scarlet ribbon. hanks and streamers of it wedged between his teeth, but he succeeded in getting the ribbon off. He tore at the wrapping in the same fashion, and worried the cardboard box the item was shipped in.

Evil streams of mucus ran from his nose and mouth, dripping onto the seat and his mangy clothing, and onto the star-stone from his chin.

For the package indeed carried the stone, with the black jewel in the center, and strange marks on each leg of the star. He turned the stone over, and over, and over, until the things written on it began to make sense to him.

He’d seen those characters before, many times. On the carven bases of the obscene idols in the great cities he had visited, and in the unutterably ancient tomes he’d glimpsed inside the buildings he had passed through in his dreams…

They were very near the shore now, off the road and driving down the rocks toward the water. Jones knew that they’d just keep on going when they reached the water, and still couldn’t quite get the words right. He glanced out the window, and the moon loomed, close enough to touch, it seemed.

Jones stretched out his hand to touch it. The hand gripping the star-stone reached, and reached, and reached, and made contact with the agency that had sent the stone to him.

The Elder Gods heard his cries, his desperate prayers, but couldn’t yet take action. Hoary Nodens stirred, waited.

Jones stopped the van, the front bumper already in the water, and the drumming and piping stopped at the same time.

The heartbeat of the soon-to-be born child could be clearly heard in the momentary silence. It got louder and louder, and the sky itself began to roil.

The father had come. The clouds formed into a facsimile of his hideous visage, and the stars were blocked by the sheer immensity of his bulk.

Drums began to sound from the other side as the moment of birth approached.

The van was surrounded by hundreds upon hundreds of ravens and whippoorwills, clamoring and shrieking and swooping down, then up again, in a grotesque frenzy, waiting for the souls that they could catch.

Offshore, the great city began to rise, slowly majestically.

Jones could see the wave from this rising form and begin heading toward the shore, and saw the shoggoths clamber around the mighty towers and obtuse angles of the city of R’Lyeh, and that which is not dead started to awaken from its eternal sleep. The wave of the city’s rising grew larger still, and bore before it the odor that Jones had been smelling now and then, the stench of the Great Old Ones.

The tips of its tentacles began to appear from apertures in the towers, and the drumming grew steadily louder, and the piping resumed.

The sky cracked open, and the denizens of the other side made their way across the barrier.

Cthulhu’s brethren began to chant his name, and a cry went up-Ia!

The shoggoths pulled the mother and child from the van, into the water, and the son began to come forth.

The immense eye of Cthulhu could now be seen as the city was entirely risen.

His tentacles reached the shore now, just ahead of the massive wave that threatened to engulf all the land, and Yog-Sothoth’s terrible voice could be heard above the din and bedlam of the wilding skirling pipes and obscene pounding of gigantic drums.

Jones moaned, and cried, averting his eyes, and praying to whatever gods would listen to take his soul, take him, please, and save the world from this monstrosity, stop this horrible process, and return things they way they were.

He drew back his right arm and hurled the star-stone into the gigantic red eye of Cthulhu, where it disappeared into the gelatinous mass with a ploosh that was audible above even Yog-Sothoth’s voice, and the sky exploded into darkness, and the wave crashed, and then withdrew back from whence it had come, the city once again sinking beneath the waves, drawing all of the participants save Jones into the sea, back to the cold and unforgiving bosom of R’Lyeh, the crisis averted once again.

The star-stone returned to the black package, its task fulfilled.

Jones lay on the rocky beach, listening to the van’s motor run, until the mother sun came up, and the cries of seabirds roused him enough to get behind the wheel and drive back inland, toward home and the relative sanity of the holiday season.

He passed the trappings of Christmas on his way, and was glad that there would be at least one more Christmas, and soon another new year, for the teeming masses that inhabited the globe he had just saved from an unimaginable fate.

The Elder Gods are merciful, and no knowledge of those proceedings remained for the world at large.

But the price Jones paid for his role was to always remember that moment when the planet was nearly torn asunder by the Great Old Ones, to whom time is nothing, and of his part in the proceedings. Jones also had the knowledge, the lore that he had gained through his travails, and knew just exactly how thin were the barriers between the mundane world of the everyday, and the terrors of the Great Old Ones.

The Great Old Ones will wait for another opportunity to enslave the people of earth and the rest of the universe. They are older than this universe, and will outlive it, waiting in the cold and the dark for another chance…perhaps soon. There are always those who are willing to sell their souls for immortality, and don’t think twice about the consequences. All of these beings dream, and can be reached through those very dreams, molded and influenced, cajoled into doing the bidding of the awesome beings from Outside.

Jones drove home, where he placed the terrible statues in a strongbox of oak, along with the package bearing the star-stone, and bore the strongbox up into the attic, mouthing a great many powerful charms over it. Destruction of the box was out of the question. Jones didn’t know that anyone else living knew how to prevent such an event from happening again, and he would possibly need those tools some time in the future.

This done, Jones returned downstairs, where he glimpsed himself in the hall mirror, and shivered at the sight of himself.

He cut quite a figure as Santa Claus, with his newly-white hair and beard, and enjoyed himself all the more with his awareness of the transience of it all.

Posted Christmas Eve, 1999. I hope you enjoyed this little tale of a Christmas that almost wasn’t. Thanks for reading.

 

 

Famous Armenians for 1000, Alex.


I Am Providence: A NovelI Am Providence: A Novel by Nick Mamatas

My rating: 4 of 5 stars

Very much enjoyed. I remember my old English teachers telling me that you couldn’t tell a story from the pov of a corpse. They were wrong. I proved it in third grade. Mamatas proves it here.
Even though I’ve never been to a “weird” convention, I am acquainted with enough people in the field that I can guess who most of the Tuckerized characters in this untidy murder mystery are, or are based on. I guessed the wrong person as the killer (actually I guessed Rhan-Tegoth). But the signs aren’t very obvious, so I forgive myself.
Laughed out loud in several places. Read the book in two sittings, at night, and then the next morning. Good summer-type read. Has some depth of character but fairly slight compared to the bulk of the things I’m reading currently, one of which is the “other” version of this title by ST Joshi, who is likely skewered in this novel.

Fun. I’m sure people will be upset. Nick Mamatas is a bit of a provocateur, and knows it, and Panossian is probably a reasonably accurate portrait. Maybe a little exaggerated – I don’t think there’s quite that much antipathy…but then I haven’t been to a Necronomicon yet. The Futurians, these people aren’t.

Yossarian and Karabekian would probably have enjoyed this novel. I dunno about Mordiggian. It has an effective graveside manner and enough easter eggs to keep one amused for a while.

View all my reviews

Madness


I got a little bit exercised today by this article, about the “8 Tribes of Sci Fi.”
Rubbish, absolute rubbish. An ill-considered word salad.

To start with, it considers “sci-fi” which I consider to be the z-movie mentality that pervades tv and pop movies. And it calls the wrong things “sci-fi”. The article might fare better if it were said to be talking about “fantasy”, the umbrella term for science fiction and other related imaginative fields, or about “speculative fiction”, a higher-brow way of saying the same thing.

Read the thing for yourself. Feel free to regale me with your version. Or not. Continue reading

Method


Though I conduct my fictional affairs with a good bit of handwavium and a helping of deus ex machina, because that’s the nature of the beast, still, I’ve railed against such use in the past. And I was probably right, then.

Context.

Heh. Yeah, right, you say, and rightly so.

But boundaries, fuck ’em. I was wrong, plus it’s addictive…to be unleashed, to not worry about what hard-sf fans are gonna say, or what plot twist came straight out of tvtropes. To just tell the story as it occurs to you. Er, me. Because pov.

That’s a fun plaything, too. Perspective.

Just tell the damn story. I was good at that when I was young. I would just write until I was done. Wrote a 67,000 word novel in one day, on notebook paper, in pencil(s), longhand. It was awful. Only three people have even read part of it. They’re all on Facebook. *ducks* Continue reading

“High” School and absent friends


Took me a little walk down memory lane this morning. Cat woke me up real early, again, and I decided to stay up rather than stare at the ceiling.

It came to me that I don’t really want to adult today of all days. Gonna have to a little, as I have things to write, but that gave me several hours to screw around in. I hatched a plan.

Went across the street and got a 2-liter diet 7-Up and a pack of rolling papers. Came back, poured the 7-Up into a pitcher, turned the bottle into a bong in the time-honored fashion (of course I have an old bongshaft in my toolbox — who doesn’t?). Ground up a goodly amount of herb, rolled two joints, and then rolled two more.

I dug out my old ear buds, charged up an old TracFone, outfitted it with a playlist. Found a short-sleeved shirt that fit me (was my style in those days to wear a short-sleeve over a band shirt), collected my quarters, stuck my oxygen tank in my backpack. Headed out. To high school…

THSHCKWVRD1976First stop was Church’s chicken. I sat on a curbstone and smoked the first joint, remembering when I used to do that in the parking lot of KFC, at 75th and Clarendon Hills rd, instead of going to first hour study hall. I would read instead. I had my kindle with me, and I read from something period — John Brunner’s extravagantly excellent The Shockwave Rider, which I had gotten from the library the first day in school, when I noticed it in the window.
My friend Dave Trojnair thought that was just weird. He thought it even weirder when I explained it. That never discouraged me. I had a different book every day. I read them while everybody else was finishing their work.

I was only at that school for a few months. Circumstances dictated that we had to move, and so we did. New friends time. I moved too. I got on the bus and rode to Campbell and Glenn, to the “Old Chicago” restaurant there. Old Chicago was the name of an indoor amusement park/mall that used to sit at I-55 and Rt. 53, in the Romeoville/Bolingbrook borderlands. It was there that I used to stop before 1st period, to brighten up my day.

I sat in the parking lot and smoked my second joint, remembering the day I saw an old friend from South Hinsdale named Jim Jackson, at the record store in the mall (I was buying “Love is the Drug/Both Ends Burning”, by Roxy Music). We laughed, remembering when I borrowed his 8-track of “In the Wake of Poseidon”, leaving my “Dark Side of the Moon” as damage insurance, and got all the way back to his house on my rickety old bike, with the tape in my hand, running into a stone in the driveway and flinging it high in the air. Jim got to keep “Dark Side”. Later that week, the B. Dalton at the mall stocked all of the John Holmes Ballantine Lovecrafts, and I bought the set.john-holmes_the-shuttered-room_ny-ballantine-1973

I remembered my friends Bill and “Brother”, whose real name was “Leydelle”, but he didn’t like to go by that. Bill was totally into Bowie. I remembered talking him into buying Genesis Live, which he hated, and gave to me. I remembered eating a huge plate of manicotti and then getting on the Rotor. (interestingly, Old Chicago isn’t listed in the wiki article…but the ride was there for sure.) That didn’t end well. Slops!

I laughed, and watched the opening cooks drain the grease trap. That was smelly, so I took the cue to depart.

The next stop was more problematical. My third school was in the middle of the inner city of Joliet, and looked like a castle. I went in for sports at first there, but soured on that all and went in for pool-playing, auto theft, and coffeeshop ennui instead. It was just as well. I was an outfielder then, and Jesse Barfield was at the school. Mark Grant was a few blocks away, at Joliet Catholic, on my way home along Jefferson st.

Eventually, I came up with a solution, and got back on the bus(es).

There’s a metal-working shop on Ft. Lowell that has a little castle out front, with what looks like a haunted house next door. I sat on the grass between them and puffed away on the remains of the second joint and some of the third one. I watched people head for work. By now, the mixtape was about midway.

I walked home from there to the strains of UFO, forgoing the second stop at Church’s, having covered half of my high school years. The second half, the employed half, was about to begin.

The two-liter bong needed water. I filled that up while getting the music ready for the next stage and having a few hits. In my files, I have an abortive attempt at doing ELP’s “Knife Edge”. The keyboard part is complete…which is what I needed. I got my guitar, tuned it, plugged it in, got the thing going, closed my eyes.

I was back jamming with my friend Al Dvorak, gods rest his soul. I remembered the eagle painted directly on the wall, and the weird stuff I painted that night while seated on the left hand of my good friend Mr. Natural. “Just a step cried the sad man
Take a look down at the madman
Theatre kings on silver wings
Fly beyond reason
From the flight of the seagull
Come the spread claws of the eagle
Only fear breaks the silence
As we all kneel pray for guidance…”

We shouted in unison. Ba ba ba babbaba ba babbaba ba, said the instruments.

Just to make things perfect, I scraped some resins out of my bowl, and smoked that, and made an egg concoction for breakfast. Scott wasn’t there this time — he usually was. I had bong hits for all three of us with my coffee, and got to work in lieu of school.

School’s out forever.engine_summerEngine summer’s here, 1979.

I spent the summer in school, too, getting my grades up for a bid at a better school. I took graphic arts, making tshirts and posters out of scrawlings and ruining a jean jacket with a bad silkscreen job. That was the summer that I developed my writing method, which stands to this day, the hippie speedball method, and finished my second novel.

Was not very innocent, but life was cleaner then. Purer. There were times when emotions were unmixed, when things didn’t overcomplicate themselves…hoo boy, it’s getting DEEP in here.

Gimme a break, me. I’ve just aged four years in an hour. I’m for a nap.

 

Son of the Big Dumb Object


EgoOne of my very favorite things in the world of fiction is that cosmic force, the presence that is imposing just because of its size, the very Big Dumb Object itself. An example, seen below, adds consciousness to the mix. The presentation is excellent. I love the image. But not enough was done with it, plotwise, back in the day.
One of the things that makes me create is the desire to see a better version of things, at least in my eyes. My first writing was done in response to a comic-book villain I thought terrible (the Stilt-Man, as in DD#48). So I come by it naturally. My art is, at least initially, imitative.dd48 It always has been. I like a certain amount of structure, a framework to stand on, before taking the great leap into the unknowable seas of imagination. My first drafts, first versions of things, almost always have a large portion of synthesis, of combining previously-known ingredients into a new stew, stirring it up, and then improvising over the changes. Continue reading

Monday musings 3/21


grovesm

Photo by Ian Sidlow

Monday. Edit/rewrite sorta day. The NIGHTMARE GROVE collection opens with the story “Ink,” which was cribbed from the CRAZYTOWN collection since it was originally set in Oak Grove and only recently moved to Tuxtown.

So I have to fix the references (for the most part-there are connections between the two collections) and there are a couple of scenes that could work more smoothly.
“Ink” is based on one of my more successful stories, “Parchment” in its original incarnation. It was published in three languages, and in seven separate magazines/ezines, and also kindled a fabulous audio reading by the redoubtable Morgan Scorpion (Parchment).
“Ink” makes the process of transposition clearer and ramps up the body-horror and psych-horror.
There is a sequel, which will be part of CRAZYTOWN, perhaps with some input from the inestimable Frederick J. Mayer. That’s getting processed after “Ink” and “stars” Nate Jenkins, who had previously appeared in the BROWN JENKINS series of stories and in “Pnakotic Reaction”.

crazytown

Art by Candra Hope

I’m reworking the text for the CRAZYTOWN cover. It looks like there may be a few things to add. Maybe a blurb or two, and the ToC has been monkeyed with. This is a copy of the original art, which is just beautiful, with the rot beneath the surface admirably depicted. Also in the current pipeline are the novella Fear and Loathing in Innsmouth, which is as gonzo as gonzo gets, a weird/bizarro treatment of the themes of H.P. Lovecraft’s The Shadow Over Innsmouth and the preoccupations and subtext of Fear and Loathing in Las Vegas. I do plan to run that one by Nick Mamatas and Brian Keene before it hits the stacks. They should be amused, as the authors of The Damned Highway, which has some of those ideas embedded within its pages.
FALII…

fin

Art by Will Jacques

Unfortunately, the graphic novel version of this story never got off the ground. But this version should knock everyone’s socks off.

Also in the 2016 pipeline is BETROTHED TO YOG-SOTHOTH, a Barbara Cartland meets Tom Tryon sorta version of the Dunwich Horror, with a lot of Lavinia’s biography filled in. The novel was inspired by a piece of art from someone at deviantart that doesn’t answer their email, and so that picture won’t be on the front cover. Instead, I have this evocative art:

yog

Art by JB Lee

Those are the four books I have planned for this year. They’re all in the finalizing stages — the i’s have been crossed and the tees dotted. Walpurgisnacht and the 4th of July, All-Hallow’s Eve, and Xmas are the projected release dates.

They’ll all be under my Planet Moderan imprint, and will be available in both ebook and treebook incarnations. I’m going to revive BEFORE CRAZYTOWN instead of sticking its stories into NIGHTMARE GROVE. That’s getting done this week too.

Tinfoil Baseball Cap


As usual, we’ll cover a lot of subjects with a too-small, too-thin blanket. But cover them we will.
Firstly…Saturday night, for a little while, my one-man internet band moderan was the #1 band in Tucson/Rock, according to data from music-posting site Reverbnation. I’m sitting at #2 right now.

It was pretty easy to get there, and the maneuver was mostly pre-planned. I embarked on a series of cover tunes, some of which I’ve actually registered. Eventually I’ll register them all, but they’re about 20 bucks each, and I plan to do a LOT of them. Cuz they’re fun. I have a system for producing them quickly, based on midi drums and the forty or so years I’ve spent playing those songs, off and on. The music ranges from pop tunes like Killing Me Softly through progrock epics such as Dance On a Volcano.

I sing, play all of the guitars and basses (with a couple of notable exceptions for collaborators), most of the keyboards, some of the strings, and arrange and produce the tracks. The drums are fashioned from midi tracks, which means faithful timing. I seldom monkey with the structures, though I add or change instrumentation.

You can listen here: Continue reading

eebs and arcs


In book news, I entered into what may be the last phase of edits for the collection NIGHTMARE GROVE. This book compiles material from my ebook Before Crazytown and several newer stories, three of which were written especially  for the collection. Here’s a look at the table of contents (the asterisked are new):

grovesm

 

Ink
Linkage*
The Forgotten God*
Ghoul Picnic
The Whispering Trees
Green
Pawprints *
Pnakotic Reaction
Frieze in Blue and White*
Waiting for the Sun (both the story and as a title for a flash fiction section)

 

E-versions (“Eebs”) and ARCs will be made available for review purposes, upon request, from moderanathotmaildotcom, shortly after the first of the month. Continue reading